BRADLEY BEACH BOOKS

 

CHILDREN'S SPRING/SUMMER 2002

Humphrey's Bedtime

Written and illustrated by Sally Hunter. Henry Holt. Humphrey and his older sister Lottie are two little elephants whose before-bedtime activities are narrated by British author/illustrator Sally Hunter in the second volume of a series for very young readers. Humphrey eats his dinner, has a bath, and gets ready for bed while Lottie is performing the same tasks with her many stuffed animals, in Ms. Hunter's gentle, soft-focused sketches in pink, peach, and lavender pastels. (Ages 2-4)

Hello School! A Classroom Full of Poems

By Dee Lillegard. Illustrated by Don Carter. Alfred A. Knopf. The duo responsible for Wake up, House! is back with a similar book, this time featuring short rhymes about school for younger readers. Advertising art director Don Carter again provides his highly distinctive, three-dimensional cutout art of alphabet letters, flowerpots on windowsills, scissors, and glue in bright colors, complementing the cheerful, forthright text. If only all school experiences were as much fun as those depicted in Hello School! (Ages 3-6)

The Three Little Kittens

Written and illustrated by Anna Alter. Henry Holt. Anna Alter's idiosyncratic style is immediately recognizable in her retelling of a familiar nursery rhyme illustrated with pencil and watercolor in a manner somewhat reminiscent of folk art. The tale of the three kittens' plight is interspersed with lively scenes of a mouse family that shares the kittens' living space, which I actually preferred to the pictures of the cats. Yet another example of this publisher's excellent quality of print production and design. (Both this book and Little Dinosaur, reviewed below, would make fine gifts.) (Ages 3-6)

It's My City! A Singing Map

By April Pulley Sayre. Illustrated by Denis Roche. Greenwillow Books. A little girl and her brother take a long walk to a corner market and back in a story told in simple rhymes and flat, two-dimensional gouaches for younger readers. The low-density city they walk through looks more like a bland, generic, semi-suburban landscape, cluttered with a hodgepodge of more structures--a bridge, elevated train, riverside playground, skyscraper--than two children would encounter on any urban walk I know. (Ages 4-7)

Little Dinosaur

By Mike Thaler. Illustrated by Paige Miglio. Henry Holt. A gentle, imaginative little dinosaur goes through a very busy day of at-home activities--painting at his easel, playing with blocks, riding a make-believe train and rocket ship, learning to print the alphabet, flying a kite, spotting a rainbow--in a high-quality volume produced with Henry Holt's usual careful attention to details. (Ages 4-7)

Little Whistle's Dinner Party

By Cynthia Rylant. Illustrated by Tim Bowers. Harcourt. Little Whistle, the brown guinea pig who lives in the Toytown toy store, returns in the second volume of a series by prolific veteran children's writer Cynthia Rylant. This time, the nocturnal Little Whistle decides to give a midnight dinner party for his friends in Toytown. After the store's lights are turned off for the day and its door locked, Little Whistle takes the Toytown train around the store to pick out a tea set, teakettle, and kitchen appliances for preparing his carefully saved guinea pig treats. After the guests are assembled, Little Whistle makes a slightly delayed arrival by helicopter with dessert in hand for all his guests. This pleasant story avoids the problem of the first Little Whistle book--that too many of the toys were transient, on their way to being sold. The reader hopes that future volumes will continue to feature a permanent group of characters. (Ages 4-7)

One Monday

Written and illustrated by Amy Huntington. Orchard Books. One Monday morning a strong wind thunders into the farm where Annabelle lives with a menagerie of animals. This uninvited visitor stays for almost a week, wreaking near-havoc in its path: it was so windy that "the pigs' curly tails were straightened out like rulers," "sunflower heads spun off like flying saucers," and "the cow had lost most of her spots." Newcomer Amy Huntington has skillfully illustrated her breezy tale (with excellent overall design by Orchard Books) with humorous watercolors that recall the action-packed style of the late author/artist Bill Peet; I especially enjoyed the little mouse riding from page to page on his yellow-legal-paper airplane. On Sunday this pandemonium finally subsides, and everyone on the farm is able to start picking up after themselves, but on Monday it starts to rain...(the mouse's paper airplane has now become a sailboat). (Ages 4-7)

Sun Bread

Written and illustrated by Elisa Kleven. Dutton. Relentless wind, snow, and rain are the spoilsports in inventive author/illustrator Elisa Kleven's latest effort. Sun Bread showcases Ms. Kleven's idiosyncratic watercolor collages, swirling with the activities of her usual menagerie of animals, who are all out of sorts and stricken with cabin fever due to the prolonged bad weather. Then a baker decides to bake a sun bread of her own, and the yeasty golden round of dough makes the animals celebrate so joyously, the real sun finally emerges from the clouds and eats some of the sun bread himself. Although this is a simple story, adults as well as young children will appreciate Elisa Kleven's world-of-her-own artwork, filled with rainbows, clouds, streaming water, and circling birds. (Ages 4-adult)

A Castle on Viola Street

Written and illustrated by DyAnne DiSalvo. HarperCollins. Andy, his mother and father, and two younger sisters live in an old apartment building on Emerald Street, in an unnamed city neighborhood that echoes the bay-windowed porchfronts of Baltimore and Philadelphia and the close-knit family ties of some areas of Brooklyn, New York ("Bocce tournament at Spaghetti Park," a public notice reads). One Saturday morning while Andy and his sisters are pulling their cartload of laundry to a local laundromat, they see workers unloading equipment in front of three boarded-up houses. It turns out that a Habitat for Humanity-type, "sweat equity" organization is renovating these houses; although Andy's family is not selected to receive the first house, all five of them pitch in to help at the project's start. At the book's conclusion, Andy's family receives word that a future house that they are to work on will be their own.

DyAnne DiSalvo is a sincere, conscientious writer whose interest in the renaissance of old-fashioned urban neighborhoods and a way of life (similar to my own childhood) that might be considered obscure or archaic to some, is evident in all her work. Her earlier volume, Grandpa's Corner Store (previously reviewed in these pages), expressed these values particularly well (indeed, Grandpa has a nonspeaking cameo role in A Castle on Viola Street). Her characters' warmth, generosity, and resourcefulness are always welcome. (Ages 5-9)

The Class Artist

Written and illustrated by G. Brian Karas. Greenwillow Books. Fred would like to be able to draw, but when his teacher assigns his class a week-long art project, Fred has a lot of trouble completing his paper tipi and doesn't want to ask anyone else for help. Instead, though, he draws a multi-panel mural that the entire class ends up admiring, in this casually sketched story. (Ages 5-7)

Goin' Someplace Special

By Patricia C. McKissack. Illustrated by Jerry Pinckney. Atheneum. 'Tricia Ann receives permission from her grandmother to visit her favorite place, "Someplace Special," in this story based on late-1950s segregated Nashville. Patricia McKissack details the nuances of 'Tricia Ann's bus trip downtown; her stop at Peace Garden, a public park that her grandfather helped build but on whose benches she cannot sit; her detour into a fancy hotel with an unwelcoming manager; her conversation with a street pretzel vendor who advises her not to let "those signs" steal her happiness. Ultimately 'Tricia Ann does arrive at Someplace Special--the main public library, a monumental limestone building upon whose facade is chiseled the inscription "all are welcome."

Goin' Someplace Special is the most upbeat and absorbing story and the most beautifully illustrated book in a crowded field of similar titles released during the past year or so. Veteran illustrator Jerry Pinckney's light-suffused pencil-and-watercolor drawings are, as usual, sumptuous in this large-format picture book, and anyone who loves flowers and gardens should read Goin' Someplace Special for the sheer pleasure of the artwork: Mama Frances' cozy front yard, the lush double-page spread of the Peace Fountain with sprays of water bubbling and birds circling about, the gardens on the site of a ruined church tended by an eccentric older lady. An autobiographical author's note at the book's conclusion contains the reminder that "reading is the doorway to freedom." (Ages 5-8)

The Little Skyscraper

Written and illustrated by Scott Santoro. Price Stern Sloan. A respectable debut by film animator Scott Santoro, from a Simon and Schuster division known more for joke books and novelties than for children's fiction. The little skyscraper, a small limestone building with a park at his base, seems to have been built in the 1930s, judging from the details of nearby movie houses, passing cars below, and a floating dirigible overhead. As the nameless city around him progresses to the 1950s, a little boy named Jack takes a liking to the building, always asking his parents to stop and visit the observation deck. More years pass, and many of the skyscraper's neighboring smaller buildings are torn down to be replaced by modern office towers. The park at his base is even paved over for a parking lot. Eventually the stained, shabby skyscraper is scheduled to be demolished, when a passerby--Jack, now an adult and an architect--gets involved in the case, organizes rallies, and convinces the mayor to designate the skyscraper a landmark, and deserving of a full restoration. Thanks to Jack's hard work, "even the tallest, most modern buildings looked up to the little skyscraper."

The Little Skyscraper is somewhat reminiscent in tone of the venerable The Little Red Lighthouse and the Great Gray Bridge, whose minimalist, 1940s-style, four-color process illustrations it echoes; and Virginia Lee Burton's wonderful classic about urban activism and community involvement, Maybelle the Cable Car (see Bradley Beach Books' Classic Backlist section). Scott Santoro obviously cares about both historic preservation and the urban environment, and the inclusion of a little more specific period detail in his drawings would have been a welcome touch. Perhaps Mr. Santoro will do so in his next children's book; perhaps, too, Price Stern Sloan will assume a greater role in publishing children's fiction in the future. (Ages 5-7)

Light-Gathering Poems

Edited by Liz Rosenberg. Henry Holt. Editor and SUNY professor Liz Rosenberg has gathered both familiar and lesser-known poems in an excellent anthology that will appeal to both older teenagers and adults. In her introduction, Ms. Rosenberg notes that she views each individual as a shard of light, in the tradition of ancient Hebrew scriptures, and offers her anthology in the hope of creating tikkun olam, repairing the world, as the shards of light join together.

Light-Gathering Poems includes a genuinely multicultural variety of poets, both contemporary and classic, and features not only the more predictable choices such as Robert Frost, Emily Dickinson, and Edna St. Vincent Millay, but also the lesser-known Arakida Moritake, Das Lanzillotti, Charles Reznikoff, and Henry M. Seiden. The notes on contributors at the back of the anthology make marvelous reading on their own--Ms. Rosenberg has a knack for condensed biography; the book-jacket design by Debbie Glasserman is invigorating. Light-Gathering Poems would make a superb gift not only for high school or college graduates but for any venturesome reader. Recommended. (Ages 14-adult)

 

Children's titles:

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CHILDREN'S FALL 2007/WINTER 2008

CHILDREN'S SPRING/SUMMER 2007

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CHILDREN'S SPRING/SUMMER 2001

CHILDREN'S FALL 2000/WINTER 2001

CHILDREN'S SPRING/SUMMER 2000

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Adult titles:

NONFICTION SPRING/SUMMER 2007


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